FilmSpark.AI Tutorial Guide

Welcome to the FilmSpark.AI Tutorial Guide. Click any section below to get started.

1. 🚀Getting StartedCreate your account, learn the interface, and understand how credits work.→
2. 🧭Ways to StartThe different ways to start a project in FilmSpark, and which one fits what you want to make.→
3. 👋Meet the AgentA quick introduction to the FilmSpark Agent — the director's assistant inside every project.→
4. 📽️Scripted Project WorkflowThe core FilmSpark workflow, step by step — concept, script or shot list to storyboard to finished video.→
5. 🖼️ImagesGenerate, upload, compare and edit images for shots and assets.→
6. 🎞️VideosGenerate video from your shots, choose the right kind of video model, edit clips and upscale to 4K.→
7. 🔊Sound & VoiceDialogue, lip sync, voiceover, dubbing, voice change, sound effects and music.→
8. 🧩SequencesBuild storyboard panels and multi-shot videos — several shots that play as one continuous sequence.→
9. 🤖The FilmSpark AgentA director's assistant inside your project. It reads your whole film, plans the work, and asks before it touches a frame.→
10. 🎬Scene ComposerBuild scenes and explore locations from multiple angles without writing a script.→
11. 📰Ad TemplatesDrop a product image into a pre-made narrative and get a video ad in three steps.→
12. 🎨Asset StudioGenerate standalone images and videos with any model, then bring them into your projects.→
13. 🖼️My LibraryYour central store of images, videos, audio and saved prompts across every project.→
14. 🎨Color Grading & LUTsApply a consistent film look across your project with built-in or custom LUTs over the Cineon Log style.→
15. 💪Team WorkspacesPooled credits, shared billing, role-based access and real-time collaboration for production teams.→
16. 💳Credits & SubscriptionsCredit packs, subscription plans, and how to manage or cancel your subscription.→
17. 💡TipsPractical reminders for better results, fewer wasted credits and stronger prompts.→
18. ❔FAQQuick answers to the questions we hear most.→

FilmSpark.AI is currently a desktop web app. It is not yet optimized for mobile devices.

Getting Started

Create your account, learn the interface, and understand how credits work.

Introduction#

Welcome to FilmSpark.AI! This guide will walk you through the simple steps to transform your ideas into compelling visual narratives – from concepts and scripts to storyboards, actor and location visuals, AI-generated video clips, and finally, assembling and exporting your final movie.

Please note that FilmSpark.AI is currently a desktop web app. It is not currently optimized for mobile devices.

Let's get started!

Account Creation#

The first thing you will need to do is create an account. Just click on the SIGN IN button in the top right corner of the screen. Then, you have the option of continuing with a Google account, or manually signing up with an email address and password. We bet you have done this before!

Working as a Team#

FilmSpark supports Team Workspaces, so your whole production team can work together in one account with pooled credits, shared billing, role-based access and real-time collaboration on the same project. Enterprise workspaces also support 2FA sign-in and soon SSO. Contact sales@filmspark.ai to set one up. See Team Workspaces.

Site Navigation#

• Explore - The home page of FilmSpark.AI. Start a Project from here: under Write with AI, choose Short Film, Micro Drama or Ad / Commercial; under Upload Your Own, choose Upload Script (full screenplay) or Upload Shot List (CSV or spreadsheet). Scene Composer and Ad Templates are further down the page.
• My Library - Your Projects, Scenes, Images, Videos, Audio, LUTs, Assets, Ads, Prompts and Skills. Everything you create is automatically saved here. See My Library.
• Scripted Project - This is the starting point for bringing your ideas to life! Clicking this will start you on the process of creating your new story project.
  • Create Ad - A quick access point to create an ad for your product.
  • Create Micro Drama - Create your own micro drama with the Hook-Point-Payoff-Hook cycle.
  • Create Short Film - Bring your ideas for a short film to life.
• Ad Templates - Turn a product image into an ad video from a ready-made template. See Ad Templates.
• Scene Composer - Create individual scenes and shots using reference images and actors from My Library without using a script.
• Asset Studio - Generate images with your choice of image model. It's a quick and easy process!
• The FilmSpark Agent - Use the in-project AI Agent to build and edit shots, assets and scenes from plain-language instructions. See the FilmSpark Agent guide.

The links at the bottom of the sidebar open the Build Notes, Credit Calculator, Book a Demo, Tutorial Videos, this Tutorial Guide and the Model Guide.

Project Settings#

Once you have started your project, the Settings button can be found in the upper right of the UI. The button image is a Gear icon. The Project Settings modify many of the initial setup options for an existing project.

Format & Type#

• Story Type: Options include Custom, Short Film, Microdrama and Commercial/Ad.
• Output Target: Available choices include YouTube, Instagram, TikTok and more.
• Aspect Ratio: Choose the default aspect ratio for your project.
• Duration: Change the intended length of the story.
• Shot Number Gap: Shots are numbered 010, 020, 030 by default. Change the gap between shot numbers here.

Creative Direction#

• Story Structure: Options include AI-Determined, Acts and Episodic.
• Genre & Tone: Genre will define the overall style or category of your script. Tone will influence the mood and emotional impact of your script.
• Color Grade: Apply a LUT to the whole project. See Color Grading & LUTs.

Visuals & Models#

• Art Style: You can change your Art Style whenever you like. Note: You will have to regenerate any image prompts for this to take effect.
• Aspect Ratio: You can switch your aspect ratio, but will need to clear out all storyboard images and regenerate all shots.

• Default models: Set the project's Asset Image Model, Storyboard Image Model, Video Model, LipSync Model and Story & Prompt LLM. Open Default model settings under a model to set its defaults — for the Video Model this includes the default Resolution, Generate Audio, Negative Prompt and Guidance Scale. For the full list of available models, see the Model Guide.
• Story LLM Model / Prompt Suggestion LLM Model - Choose from a variety of different LLM Models to refine how your story's text and prompts are generated.
• Advanced — Unlock all tabs: Bypass the guided flow and enable all of a project's tabs at any time.

Credits#

Credits are used to generate content, such as prompts, videos and images in the stories you create on FilmSpark.AI. Users are given a modest amount of credits after they first sign up and verify their accounts. Once out of credits, a user must purchase either Credit Packs or Subscriptions to continue using the app via the "Plans" (or "Upgrade") and "Credits" buttons in the top right of the app.

See the Credits & Subscriptions section for information on how to purchase Credits and Subscriptions.

Ways to Start

The different ways to start a project in FilmSpark, and which one fits what you want to make.

Overview#

There are several ways to start creating in FilmSpark. Pick the one that matches what you already have — an idea, a script, a shot list, a product, or just a scene you want to explore. You can start any of them from the Explore page or from the left side menu.

Scripted Projects#

A Scripted Project takes a story from idea to finished video: logline, scenes, script, assets, shot list, storyboard, editor and export. There are four ways to begin one:

• Develop concept with AI — Start from an idea. The Co-Pilot "Sparky" helps you build the concept, logline, scenes and script.
• Upload full script — Bring in a finished screenplay (PDF or .txt, up to 100–200 pages). FilmSpark builds the scenes, assets and shot list from it.
• Upload shot list — Already planned your shots? Upload a shot list in CSV or spreadsheet format and FilmSpark builds the project around it.
• Upload brief — Start from a creative brief.

The Create Ad, Create Micro Drama and Create Short Film links in the left side menu start a Scripted Project with that story type already selected.

See the Scripted Project Workflow for every step.

Scene Composer#

Build individual scenes and shots without a script, using reference images and actors from My Library. Scene Coverage lets you explore a location from many angles and shot types. See Scene Composer.

Ad Templates#

Drop a product image into a pre-made narrative and get a video ad in three steps. See Ad Templates.

Asset Studio#

Generate standalone images and videos with any model, then bring them into your projects. See Asset Studio.

Meet the Agent

A quick introduction to the FilmSpark Agent — the director's assistant inside every project.

What the Agent does#

The FilmSpark Agent is a director's assistant that lives inside your project. It reads your whole film — script, scenes, shot list, actors and locations — and can build or edit shots, assets and scenes from plain-language instructions like "change the actor's jacket to red" or "storyboard the whole scene."

How it works#

• Open it from any project. Click Agent on the far right side of the screen and start typing.
• Suggest, then approve. Nothing changes in your project until you approve it. Every change arrives as a proposal you review first, with the credit cost shown before anything is generated.
• Available to everyone. No API key or special plan is required. Agent requests are charged in FilmSpark Credits.

For everything the Agent can do — skills, threads, models and settings — see The FilmSpark Agent section.

Scripted Project Workflow

The core FilmSpark workflow, step by step — concept, script or shot list to storyboard to finished video.

Create a New Project#

Scripted Projects let you upload or write a script, automatically generate a visual storyboard, and turn it into a final video. This is FilmSpark's core workflow for streamlining storytelling with precise creative control.

• Click on the Scripted Project button.
• Choose your Concept Source:
  • Develop concept with AI — start from an idea and build the story with Sparky, step by step.
  • Upload brief — start from a creative brief.
  • Upload full script — bring in a finished script (PDF and .txt supported; full screenplays of 100–200 pages work). Many options below disappear because they come from your script.
  • Upload shot list — create the project straight from a shot list in CSV or spreadsheet format, if you already have your shots planned.
• Choose your Story Type. All options can be overridden.
  • Custom will let you determine the story type as the creation process unfolds.
  • Short Film is pre-selected when choosing Scripted Projects.
  • MicroDrama will craft an episodic, vertical 9:16 format series in the traditional Hook-Point-Payoff-Hook cycle.
  • Commercial/Ad will bring up additional settings to add Ad Campaign Details. This is the same as "Create an Ad".
• Style - You can upload an image to create your own style tag that will be used throughout your project, or you can choose from our pre-made styles including Realistic (16mm, 1970s Film, 1980s TV, Cyberpunk Neon-Noir, Documentary, Golden Hour), Shonen Anime, Claymation, Modern Comic, and more.
• Color Grade - Optionally pick a LUT to grade the whole project. See Color Grading & LUTs.
• Output Target - Selecting an output target other than "General" will automatically change the Aspect Ratio and Duration for the specified target. Available choices include YouTube, Instagram, TikTok and more.
• Choose your Format by first selecting your primary Aspect Ratio: 16:9 (Widescreen), 21:9 (Cinemascope), 4:3 (Horizontal), 3:2 (Widescreen), 9:16 (Vertical), 2:3 (Vertical), 3:4 (Vertical) or 1:1 (Square). Then, choose the Duration for the story. Note: not all image and video models support 21:9.
• Default Models - These allow you to pre-select the default video, image and lip sync models. This can be changed at any time in the Settings or for each individual shot via a pulldown menu. You can also select the default LLM at project creation, and the Create screen now remembers your last-used default models for new projects.
• Story Structure - You can choose from AI Determined to let the AI decide what will work best for the project you create, Acts or Episodic.
• Genre and Tone - Genre will define the overall style or category of your script. Tone will influence the mood and emotional impact of your script.

Your project's tabs#

The tabs across the top of a project depend on how you started it:

• Develop concept with AI: Concept → Logline → Scenes → Script → Assets → Shot List → Storyboard → Editor → Export
• Upload full script: Script comes first → Logline → Scenes → Assets → Shot List → Storyboard → Editor → Export
• Upload shot list: Shot List comes first and there is no Script tab.

Each tab has a button in the top right that generates the next step. If you want to jump around freely, turn on Unlock all tabs under Advanced in Project Settings.

Concept#

Craft Your Story with the Co-Pilot

If you choose Develop concept with AI, you now will work with the FilmSpark.AI Co-Pilot "Sparky" to craft your story and create a Logline, Scene Breakdown and then Script.

• Describe Your Idea: In the "Concept" section, work with Sparky and type out your initial story idea or concept. It can be as simple or complex as you like.
• Go With The Spark: Next Sparky will lead you through a series of questions to craft your actors, setting, plot points or product features for an Ad that you want to highlight. Pick from Sparky's suggestions, combine them, or add your own idea.

Logline#

When you're ready and happy with your answers, click (Generate) Logline in the top right corner. Sparky will create a concise summary of your core concept under the Logline tab. Read it carefully, make any edits if needed or re-gen it if you like. Small changes here can make a big difference in your story. You can also go back to edit your initial Concept. Note: If you do this, you will need to regenerate the Logline to see the updates.

Once satisfied with the Logline, click (Generate) Scenes.

Scene Breakdown#

Your story is taking shape! Based on your Logline, Sparky has generated a Scene-by-Scene Breakdown of your story. The Story Type you selected will determine the structure (3 Acts, 1 Scene, 60 1-minute episodes).

• Review & Edit Scene-by-Scene Breakdown: Read through the scene-by-scene outline. You can make edits, add a new scene, or delete a scene.

Script#

Generate Full Script: When you're happy with the Scene-by-Scene Breakdown, click (Generate) Full Script in the top right corner. The Co-Pilot will write dialogue, action lines, and descriptions for each scene. You can then review and edit the generated script within our editor. Use the fullscreen button to expand the script.

Once your script feels solid, click (Generate) Assets.

Assets#

Next, based on your script, FilmSpark will identify the key actors and locations and create descriptions and prompts for them. You will also have the option of generating details and images for every Actor, Location and Prop at once, if you choose to do so. Other options include:

• Search and filter - Search assets by name, or filter to Actors, Locations, Props or Misc using the bar at the top of the Assets UI.
• Grid and List View - Switch to List View with the icon to the left of the Size slider.
• Select all - Select every asset in a group at once.

Import Assets - Import the Actors, Locations, Props and Misc items from an existing project into this one, using the Import Assets button in the Assets UI. You can filter the import window by asset type.

Asset card actions - Hover over any Actor, Location, Prop or Misc card and click the ... button in its lower right corner to open its menu:

• Edit - Open the asset to edit its details.
• Duplicate - Make a copy of the asset along with its image and details.
• Generate image - Generate a new image for the asset without leaving the Assets page.
• Preview - See a full-screen view of the asset image.
• Delete - Remove the asset.

Select multiple assets - Tick the checkbox in the top left corner of any card to select it, or click Select all next to a group's name. The bar at the top shows how many assets are selected, with buttons to move the selected assets to the Trash or Clear selection.

You can also take a closer look at the details for each Actor and Location by clicking on them to enter the Editing section.

Generating Actor Images#

For each actor, you have two powerful options to create their look:

• Generate from Story: FilmSpark will suggest an image prompt based on the actor's details and your chosen project style. You can edit this prompt for more control, or edit the actor details and the Image Prompt will be updated automatically. Tip: Start with the AI's suggestion, then tweak it!
• Create from Photo: You can use a photo of yourself, or your friends, etc. and bring them into your story (as long as you have permission). Upload a reference photo. Sparky will generate an image prompt to transform it into your chosen style.

Keep Photo Outfit: Selecting this will keep the outfit the person in the photo is wearing.

Actor Description#

When clicking on an Actor, you will see the description of that Actor on the left side of the screen. This includes the Actor's name, what they are wearing, their age and other details. These details will be automatically filled in by FilmSpark based on your script. You can create new Actors, or edit any of the details below, which are automatically carried over to your pre-written prompt by FilmSpark.

• Species, Sex, Body Type, Height, Hair Color, Eye Color, Age Category, Ethnicity
• Background / Bio, Outfit / Clothes, Key Features
• Locked Traits - Generate or manually add traits that must never change, so the Actor stays consistent when you generate shot images.

Image References - Reference images can be added to help create the look of your Actor. Click the + under Image references to open the Choose image references window, where you can search your Library and Projects, upload a new image, and select one or more images.

Prompt Tab#

• Image Prompt - The details from your Actor Description are automatically used in the prompt as long as Auto Prompt is checked. Then, any changes made in the Actor Description are automatically carried over to the prompt. The prompt is the final copy sent to the AI Model to create your image.
• Auto Prompt - Any changes you make in your Actor Description are automatically carried over to your prompt if the "Auto Prompt" button is checked.
• Regenerate / Insert / Save Prompt - Rewrite the prompt, insert a saved prompt from your Prompt Library, or save this one for later.
• Changing Style - If you wish to change the style of an existing project you do so in the Project Settings.

Voice#

You can specify a voice for each actor. Just click on the Voice tab to see and hear the options. Press the play button to hear a sample.

Voice Cloning: This feature allows you to create your own voices simply by uploading a sample of the voice you want to generate.

• Kling Voice: Used with Kling v3.0 and Kling v2.6 Pro video models for in-video dialogue.
• Minimax 2.8 Turbo and Minimax 2.8 HD: Voice generation models for creating voice lines.
• Voice Import (Eleven Labs): For use with Eleven Labs Voice Generation Models only. Enter a Voice ID for an Eleven Labs voice.

Please note that private ElevenLabs voices will not work. Only public or shared voice IDs are supported.

Image Generation Model#

This is where you can select from a variety of model options for image generation.

• Number of Images: Choose from 1, 2 or 4 images to generate.
• Adv. Settings: Some image models have advanced settings available.
• Generate Image: Once your text prompt is ready, click the (Generate) Actor button.

For image models, the model menu and Compare Mode, see Images.

Editing Actor Images#

Once you have generated Actor images, four icons appear under the image: Edit image, Edit layers, Generate turnarounds and History. Upscale, Remove Background and Adjust (Re-Crop) are inside the Image Edit UI.

For Edit, Image Layers, Turnarounds, Expression Sheets, Upscale, Remove Background, Adjust and History, see Editing Images.

Locations#

FilmSpark identifies key locations automatically. Edit prompts and descriptions, generate from reference photos, or upload your own images.

Props#

Add specific props. Click Create Prop, add description, generate prompt and image. New description fields are available for Locations and Props, along with Generate Details / Prop Details buttons that auto-generate descriptive details. Location descriptions also update when you use a reference image.

Miscellaneous#

Similar to Props — generate images for any miscellaneous items via Create Misc.

Once happy with your Assets, click (Generate) Shot List.

Shot List#

The Shot List is your shot-by-shot planning stage before you start generating images. Review and refine every shot in your story here — it is especially useful when you upload a script.

• Shot fields: Each row holds the shot number, Shot Type, Focal Length, Lighting, Camera Angle, Description, Staging & Composition, Action & Performance, Set & Lighting, Decisive Moment, Atmosphere, Color Palette, Dialogue, Assets and Duration.
• Expand a row: Click a row to expand its fields and read all of the text. Rows expand automatically when you edit them.
• Add Shot: Add a new shot to any scene.
• Anchor Shots: When creating a Shot List, you can choose to generate only the Anchor Shots first.
• Shot numbers: Shots are numbered 010, 020, 030 and so on, which leaves room to insert shots in between (for example 015). Shot numbers are editable, and you can change the gap between shot numbers in Project Settings.

When you're happy with the Shot List, click Storyboard in the top right.

Storyboard#

The Storyboard is where your story comes to life and you will likely spend the most time in. FilmSpark.AI generates scene descriptions, storyboard images and video clips for your entire Story.

Please be mindful of generating videos and the associated credit cost.

Tip: Run a shot across multiple models at once — see Compare Mode. The FilmSpark Agent can also read your current selection and build or edit shots for you — see The FilmSpark Agent.

Overview#

When you first enter the Storyboard section, your Scenes and Shot Descriptions will be pre-generated from your Shot List. For maximum control, we recommend allowing FilmSpark to generate a first pass of the images, then go in as needed and re-gen or edit them.

Grid View and List View: Switch between layouts using icons in the upper left corner.

• Scene Sidebar: Navigate quickly to specific scenes from the sidebar in the Storyboard, Scenes Script and Shot List views.
• Edit Shot/Scene Order: Click the reorder icon next to Preview (upper-left) to re-order shots or scenes — useful for longer stories.
• Display Toggles: New toggles to the left of the size slider hide or show dialogue and shot details in the Storyboard.
• Edit Scene Titles & Script Links: Edit a scene or episode title directly in the Storyboard, and open the script for each scene via its Script link.
• Import Shots: Bring shots in from another project with the Import Shots button, to the right of Preview. Add them to a new or existing scene, and choose whether to bring only the shot image or also its shot details and referenced assets.

Scene and Story Quick Generate Buttons:

• (Generate) Full Story Descriptions / Full Story Images
• (Generate) Scene Descriptions / Scene Images

Duplicate Shot:

Quick Gen Image:

Quick Gen Video (after image exists):

The Shot UI#

Click any shot to open it in the Shot UI. The Shot Panel on the left holds everything that describes the shot; the image, models and Generate button are on the right. Use the Image, Video and SFX/Voice tabs above the shot to move through each stage.

Image Prompt and Shot Fields:

The Image Prompt sits at the top of the Shot Panel. Underneath it, the shot fields appear as chips you can click to change:

• Shot Type, Framing, Lens / Focal Length, Aperture, Lighting, Camera Angle and Camera Format
• Style tags for the look of the shot

Use the ... button to copy, insert or save a prompt, and the expand icon to open a larger editor.

Shot Details:

• Shot References - The actors, locations, props and images this shot uses, each tagged by type. Click + to add more; the picker opens to All Assets. (Shot References replace the old Choose Assets and Image References sections.)
• Dialogue - The speaking actor and their line. Tick Off-screen if the character is heard but not seen.
• Shot Description - Locked by default so it stays tied to your story. Click the lock icon next to it to unlock it for editing, and click again to lock it.
• Shot Direction - The detailed direction for the shot (Staging & Composition, Action & Performance, Set & Lighting, Decisive Moment, Atmosphere, Color Palette and more). It also has a lock.
• Shot Notes - Notes shared with everyone on the project, with the author and time on each note. See Team Workspaces.
• Shot number - Click the shot number at the top of the Shot UI to edit it.

Generating Images and Video#

• Images — Choose an image model and click Generate Image. See Images for models, Compare Mode and editing.
• Video — Open the Video tab above the shot. See Videos for video models, First & Last Frame, reference models and upscaling.
• Sound — Open the SFX/Voice tab. See Sound & Voice.
• Sequences — To build multi-shot videos or storyboard panels, see Sequences.

Storyboard Preview Modes#

• Mouse-over shots to preview videos from the main storyboard
• Preview Mode — click Open Preview in upper left
• Shot Names/Descriptions, Auto-Play toggle, Edit button, Timeline navigation

Editor#

Make basic trims and edits, add Sound Effects or Music, then export.

Timeline#

Storyboard images and videos are sequentially laid out. Trim clips to refine pacing.

Assets Section#

• Add/Delete Audio Tracks, Upload images/videos/audio, Generate SFX and Music
• Volume controls per clip and per track

For generating sound effects and music in the Editor, see Sound & Voice.

Export & Publish#

Export#

• XML Editor — Export timeline as .XML for Adobe Premiere, Final Cut Pro, etc., with selectable resolution and framerate.
• Individual Files — Download .zip of source assets
• Assets — Download the current Actor, Location, Prop and Misc images in the project.
• Asset PDF Export — Export PDFs of your Actors, Locations and Props.
• Full Movie — Render all scenes into a single video file
• Full Story — Export as .CSV (including a new Asset & Shot History CSV), PDF, or PDF with images
• Custom Filename — Choose how exported files are named, using a preset or your own combination of project details. The File name preview shows the result.

Publish#

Movie Poster:

• Generate a 2:3 poster in the Export section under the Poster tab
• Select image model, add Image Prompt (use Generate Prompt), select Cover Image Actors
• Click (Generate) Cover

YouTube Thumbnail:

• Generate under the Thumbnail tab
• Select image model, add Image Prompt, select Actors
• Click (Generate) Thumbnail

Images

Generate, upload, compare and edit images for shots and assets.

Generating Images#

Images are generated in the Shot UI for storyboard shots, and in the Assets section for Actors, Locations and Props.

Choosing an image model:

Click the model name to open the model menu. The quality options for the current model are at the top, Featured models are below, and hovering over a model shows its versions. More models lists the rest, and Browse all models… opens a full grid with each model's description, supported aspect ratios and features.

• Number of Images (1, 2, or 4), Add Models, Adv. Settings
• Continue Shot: Create a direct continuation of the current shot, or a new next-shot candidate that uses the current shot as a reference for consistent lighting and staging.
• Note: When generating shots, the AI now sets a specific duration for each shot automatically.
• Click Generate Image to create the image.

Asset Images#

Actors, Locations, Props and Misc items use the same model menu in the Assets section. See Assets.

Uploading Images#

• Drag and drop any image from your computer onto an image window or a + slot to upload it.
• Choose from My Library — Clicking + under Image references or Shot References opens a window where you can search your Library and Projects, Upload to Library, and select one or more images.
• Upload multiple images at once in My Library.

Compare Mode#

Compare Mode lets you generate the same shot or asset across multiple models at once and view the results side by side, so you can pick the best one before committing. It works for images and for video.

Multi-model image generation#

When generating an Actor, Location, Prop, or Shot image, you can select multiple image models and generate with all of them in a single pass. Each model returns its own result into a shared comparison view.

• Select 2 or more image models in the generation panel.
• Set the number of images and any per-model advanced settings.
• Click Generate — the credit estimate covers all selected models.

Compare View#

When a Shot or Asset has multiple generated images or videos, click the Compare button in the History view to see them all on one screen.

• View every result for a shot/asset together at higher resolution.
• Pick the winner to set it as the shot's or asset's active image/video.
• For assets, you can update the actor/asset description directly from a multi-model generation.
• Per-model advanced settings are viewable for multi-model generations.

Tip: Compare via the Agent#

The FilmSpark Agent can run comparisons for you — "run this shot across Nano Banana Pro and GPT Image 2 and compare." It supports 2 to 12 models at once. See The FilmSpark Agent.

For model-by-model guidance on which to compare, see the Model Guide.

Compare Mode works for video too — see Videos.

Editing Images#

This section covers various changes or edits you can make to an image. You can edit images for Actors, Locations, Shots and any image you generate in FilmSpark.

The icons under a shot image are, from left to right: Edit image, Edit layers, Upscale, Remove background, Create 3D world and History. For Actors, the icons are Edit image, Edit layers, Generate turnarounds and History; Upscale, Remove Background and Adjust are inside the Image Edit UI.

Image Editor#

To make edits to an Actor or Shot Image, click the Edit image icon (the pencil) under the image. This will open a menu that will let you generate a similar image with a change to it, such as changing the Actor's hair color or clothing.

• Image Edit Model: Click to open a list of image edit models you can use. New models (Seedream 5, GPT Image 2.5, Nano Banana 2 Lite, and more) are added regularly — see the Model Guide.
• Specialized Image Edit Models:
  • Luma Reframe / Luma Reframe (Flash) - Adjust the Aspect Ratio of an image. Options include Aspect Ratio selection, optional Prompt, and Grid Position for precise canvas placement.
  • Qwen Multiple Angles Edit - Change the camera view of an existing image.
  • Control Light - Edit the shadows, highlights, and overall mood of an image.
  • Image Layers (Qwen Image Layer, Seedream 5 Pro Layerize) - Split an image into layers you can move, scale, rotate and fade. See Image Layers below.

• Adv. Settings: Some models have advanced settings like output resolution and seed numbers.
• Paint: Use in-painting and text placement for precise edits. Click the Paint button to open the Paint Toolbar. Select an area with pencil or eraser, then use the Prompt to add, remove, or change content within that spot. "Use original image as reference" is on by default while painting.
• Draw directions and save them: The Paint Toolbar includes multiple colors and a screenshot save. Draw a camera path or on-screen direction, save the image, and use it as a reference for Seedance, H3 and other video models (see the Flight Path skill in The FilmSpark Agent).

• Prompt: Describe the edit you want to make. For example, "Change hair color to red".
• Including Reference Images: Click the Add icon in the bottom left corner of the Prompt field to add reference images.
• Number of Edits: Generate 1, 2, or 4 image edits at once in the Image Edit UI.

• Generate Edit: Click to generate the edited image. The credit cost is shown on the button, which now always sits in the lower-right panel. Hover tooltips are available throughout the Image Edit UI.

Image Layers#

Split an image into separate layers, then rearrange them without regenerating.

• In the Image Edit UI, choose Qwen Image Layer or Seedream 5 Pro Layerize as the edit model.
• Generate to split the image into multiple layers.
• Select any layer to move, scale, rotate or change its opacity.
• Download a layered PSD to keep working in Photoshop or your editor of choice.

You can also open Image Layers directly with the Edit layers icon under an Actor or Shot image.

Turnarounds (Actors Only)#

This feature lets you generate images showing different angles of an Actor. Turnarounds are only available for Actors. Click the Generate turnarounds icon under an Actor image, then choose Sheets or Turnarounds at the top of the panel.

Sheets — Generate everything as a single image.

• Turnaround Sheet or Expression Sheet — a one-sheet of the Actor's angles, or of their expressions.
• Sheet Cells — Choose which views go on the sheet: Front 3/4, Left, Right, Back, Isometric and Close Up.
• Click Generate Sheet. The credit cost is shown on the button.

Turnarounds — Generate a separate image for each angle.

• Images At A Time: Choose how many images to generate per angle.
• Angles: Select which angles to generate:
  • Front 3/4: Actor at 45 degrees, showing more of the left side.
  • Left: 90 degrees, left side profile.
  • Right: 90 degrees, right side profile.
  • Back: 180 degrees, viewed from behind.
  • Isometric: Approximately 30 degrees above eye level.
  • Close Up: A close-up of the Actor.
• Click Generate Turnarounds. The credit cost is shown on the button.

Both options use the Image Edit Model you choose at the top of the panel, with its Adv. Settings such as Quality and Resolution.

Upscaling Images#

Click the Upscale image icon under a Shot image to upscale it. For Actors, Upscale is inside the Image Edit UI. Images are upscaled with Topaz Upscale:

• Model: Each model handles different types of images and issues.
• Upscale Factor: 1x to 4x.
• Subject Detection: All, Foreground, or Background.
• Crop to Fill: Automatically resizes and crops to match an aspect ratio.
• Face Enhancement: Turn on to enhance faces, then set Face Creativity and Face Strength.

The credit cost is shown on the Topaz Upscale button.

Removing Background from an Image#

Quickly remove the background from an image by clicking the Remove background icon under a Shot image. For Actors, Remove Background is inside the Image Edit UI. The background is removed with the Remove Background (Bria) model — click Generate Edit to run it. The credit cost is shown on the button.

Generating a 3D World from an Image#

Generate a 3D world from a Shot or Location image by clicking the Create 3D world icon (the cube) under the image. This is useful for viewing different camera angles and perspectives.

• 3D Model: Select the model to use, such as Marble Worlds 1.1.
• Prompt and references: Optionally describe the world you want and add reference images. The current image is added automatically.
• Generate 3D: Click to generate. Credit cost shown on button.
• Navigating in 3D Space:
  • W / A / S / D: Horizontal movement
  • R / F: Up / Down movement
  • Space / Shift: Faster / slower movement
  • Mouse drag + wheel: Look and move
• Capture Screenshot: Click the Camera icon to save a screenshot.
• Enhance Image: Generate a high-res image from your screenshot.
• 3D View: Return to the 3D World.

Adjust Images#

This tool lets you manually zoom in and crop images. Click the Adjust image icon (the last icon in the Image Edit UI), drag the zoom slider, then click Use Crop. Great for creating character close-ups:

1. Duplicate your Actor (preserves the full body view)
2. Rename to something like "Name Close-up"
3. Click Edit → Adjust image
4. Use the slider to zoom in on the character's face
5. Click Use Crop
6. Click Upscale
7. Now you have a close-up of your actor

Image History#

Once you've generated at least one image, a History icon appears under the image. Click to browse all generated images for a Shot or Asset.

• Details: Shows the prompt, resolution, image model, and edit details.
• Images in this Generation: Thumbnails of all images generated in a batch.
• Shot Navigation Arrows (storyboard only): Cycle through shots.
• Image Thumbnails: Click to display in the image window.
• Download Image: Green download icon in top right.
• Delete Image: Red trashcan icon (permanent — use with caution).
• Use this Generation: Select this image for your Asset or Shot.

Videos

Generate video from your shots, choose the right kind of video model, edit clips and upscale to 4K.

Generating Video#

• Click the Video tab above the shot.
• The Shot Panel switches to the Video Prompt, with Camera Movement and Camera Format chips, plus Dialogue, Shot Description, Video Direction and Shot Notes.

Video Models:

The video model menu works like the image one. Icons next to each model show what it supports, such as audio and image input.

• Generate Audio, Use Voice ID, Resolution, Duration and Framerate sit under the Generate Video button. Advanced Video Settings holds Multi Prompt, Negative Prompt, Guidance Scale, First/Last Frame and Elements, depending on the model.
• Seedance 2.5 Draft: Generate a cheaper 480p draft first. If you approve the draft, regenerate the video in 1080p.
• Click Generate Video and wait for generation.
• Multi-Model Video: Use Add Models to generate multiple videos for a single shot with different video models, then compare them in Compare Mode.

Comparing video models#

You can now generate multiple videos for a single shot using different video models and compare them in Compare Mode — the same side-by-side workflow as images.

Video Model Types#

There are two main kinds of video models in FilmSpark. Many models offer both, as separate versions in the model menu (for example Seedance 2.5 and Seedance 2.5 Ref).

Image-to-Video (I2V)#

Image-to-Video models animate a still image — usually your shot image — into a video clip, guided by the Video Prompt. The shot image becomes the first frame. Some I2V models also let you set the last frame; see First & Last Frame below.

First & Last Frame#

Some video models support a feature called First/Last Frame. This allows you to specify the Last frame of a video along with the first frame to better guide and control the shot.

Here are the current Models that use this feature:

• Flux 3
• Gemini Omni Flash 1.1
• Kling v2.5 Turbo Pro
• Kling O3 Standard
• Kling O3 Pro
• Kling v3.0
• Kling v3.0 Pro
• LTX-2.3 Fast
• LTX-2.3 Pro
• Minimax H3 / H3 Max
• Seedance 2.0
• Seedance 2.0 Fast
• Seedance 2.0 Mini
• Seedance 2.5
• Veo 3.1 Lite
• Veo 3.1 Fast
• Veo 3.1 Quality

Here is a quick tutorial on using this feature and its benefits:

Adding an Image

In a Storyboard shot, open the Video tab. For video models that use First/Last Frame, a First/Last Frame section appears under Advanced Video Settings. Click it to open the section.

In the First/Last Frame section you will see two image windows, one for the First Frame and one for the Last Frame. If you have already generated an image for the shot, the First Frame image window will show that image automatically.

To add an image for the Last Frame, you have several options:

• Copy to last frame - Click on the icon in the upper left corner of the First Frame. This will copy the image to the Last Frame. From here you can Edit this image.
• Swap Frames - If you wish to move the First Frame to Last, or switch the Last frame with the First, click on the double arrows in-between the images.
• Adding an image from My Library: Click Add from My Library in the empty image window. Select the image you want to use and confirm. You will have the option to crop the image.
• Uploading an image: You can drag and drop any image from your computer into the image window to upload it.
• Extract frame: This very powerful feature allows you to extract frames from videos, allowing you to extend shots indefinitely. Click the Extract frame icon under the Last Frame image window.

Extracting a Frame

In the Extract Frame window, you can select a video source and frame position to add an image frame from that video for either the First or Last frame.

• Select the Video Source:
  • Last Video Shot: Extract a frame from the video generated for your previous shot.
  • Current Video Shot: Extract a frame from the video for the current shot.
• Select the Frame Position:
  • First Frame: Extract the first frame of a video.
  • Middle Frame: Extract the middle frame of a video.
  • Last Frame: Extract the last frame of a video.
  • Specific Time (Scrub): Scrub to the exact moment you want and extract that frame.
• When ready, click on the green Extract button. Extracting costs 1 credit.

Editing a Frame

• If you have an image in the First or Last Frame window, click the Edit image icon under it to open the Image Editor.
• After generating an edited image, click Use this Generation to apply it. See the Editing Images section for more guidance.

Additional Features

Duplicating an image: Copy an image from either frame to use in the other. Hover over the image and click the Duplicate button in the top left corner.

Swapping an image: Swap the First Frame and Last Frame images. Click the Swap button between both image windows.

First Last Frame Prompt

Make sure your video prompt reflects the shot you want to create with the First and Last Frames. Describe the action.

Generating a First/Last Frame Video

When you have both the First and Last frame images set up the way you want them, just click the (Generate) Video button.

Reference Models (Multi-Modal)#

Reference models are the most powerful way to create video in FilmSpark. The "Ref" versions in the model menu, such as Seedance 2.0 Ref and Seedance 2.5 Ref, don't start from a single frame. Instead, you give them references — your actors, locations, props and shot images, plus reference video and audio — and the model builds the shot from all of them. This keeps your characters and locations consistent, and it is how you make multi-shot videos.

In the Video Prompt, each reference is tagged, such as @Image1, so the model knows what each one is for:

The references sit below the video settings on the Video tab, in three groups:

• Image References — Each slot is numbered (@Image1, @Image2 and so on). Upload an image, choose one from My Library, or edit it in place.
• Video References — Add a reference clip (@Video1) for motion or camera movement.
• Audio References — Add a reference audio clip (@Audio1), such as a voice or music.
• Add by URL — Add a reference from a web link.
• Reference limits vary by model: Seedance 2.0 Reference takes up to 12 references, Seedance 2.5 Reference up to 50 references (up to 30 of them images), and Kling O3 up to 7 references. Hover over the reference slots in the app to see the limit for the model you've chosen.
• Reference models are the basis for multi-shot videos — see Sequences.

Editing Videos#

The icons under a generated video are, from left to right: Edit video, Upscale video, Reframe video, Extract frame and History. Extract frame pulls a still from the video — see First & Last Frame.

Video Upscalers#

Overview#

Video Upscalers take a generated shot and increase its resolution, sharpen detail, and clean up artifacts — turning a 720p or 1080p clip into a polished 4K delivery.

FilmSpark offers these upscalers. Click the Upscale button under any video in the Shot UI to access them.

• Topaz — The industry-standard suite used in professional post-production pipelines. Multiple models tuned for different types of footage, including Topaz Astra. Covered in detail below.
• Crystal — A second upscaler option available alongside Topaz. Use whichever gives you the best result for your shot.

This guide focuses on Topaz, since it's the more configurable of the two and most users will start there.

Topaz Quick Start: Which Topaz Model Should I Use?#

If you're not sure, use Proteus at 2x. It's the default for a reason — fast, clean, temporally stable, and works well on most AI-generated video from Seedance, Kling, Veo, Runway, and Wan.

For premium 4K delivery where you want the best possible result and don't mind waiting longer, use a Starlight model.

The Topaz Models#

Everyday Workhorses

Proteus — The default. Best all-around upscaler for most footage. Sharpens detail and reduces compression artifacts without hallucinating new content. Use this for social media cuts, client previews, and anything where you want predictable, natural-looking results.

Artemis HQ / MQ / LQ — Denoise and sharpen, tuned to your source quality. Pick HQ when your source is already clean, MQ for average footage, LQ when the input is rough.

Gaia HQ / CG / Gaia 2 — Built for rendered content. Use Gaia CG or Gaia 2 on 3D world outputs, animated shots, or anything stylized. Gaia 2 is purpose-built for animation and motion graphics at 2x.

Denoise Specialists

Nyx / Nyx Fast / Nyx XL / Nyx HF — Focused on removing noise and grain. If your footage has visible grain, compression noise, or was shot (or generated) in low-light conditions, Nyx cleans it up while preserving detail. Use Nyx Fast when speed matters more than maximum quality.

Topaz Astra

Topaz Astra — Topaz's newest upscaler, for sharper, higher-resolution output.

Premium (Diffusion-Based)

The Starlight family uses diffusion models to rebuild detail — more like regenerating the image than enhancing it. Results are stunning but take longer.

Starlight HQ — The flagship. Best overall quality for 4K delivery.

Starlight Sharp — Tuned for facial detail recovery. Use this on character-heavy shots where faces need to hold up at 4K.

Starlight Mini — Lighter version of HQ. Faster, still uses diffusion.

Starlight Fast 1 / Fast 2 — Speed-optimized diffusion variants. Use when you want the Starlight look without the full wait.

Starlight Precise 1 / 2 / 2.5 — Tuned for tighter adherence to the source. Less hallucination, more faithful to what's actually in the frame. Good for shots where subjects or text need to stay consistent.

Recommended Settings by Use Case#

• Social media post (1080p, speed matters): Proteus, 2x
• Client preview or 4K delivery (live-action style): Starlight HQ, 2x
• 3D worlds or animated shots: Gaia CG or Gaia 2, 2x
• Character-heavy shot with facial close-ups: Starlight Sharp, 2x
• Noisy or grainy source: Nyx, 2x (run this first, then upscale with Proteus if needed)
• Motion graphics or 2D animation: Gaia 2, 2x

Upscale Factor#

You can upscale 2x, 4x, or higher. In practice:

• 2x — The sweet spot. A 1080p clip becomes 4K. Fastest and the quality jump is usually all you need.
• 4x — A 720p clip becomes close to 4K. Use this when your source is lower resolution.
• Higher factors — Available but rarely needed. Quality gains diminish fast.

The middle values beneath all the sliders represent the current selection.

Frame Rate#

You can also convert frame rate during upscale — turning 24fps footage into 60fps for smoother motion, or creating slow-motion.

Crystal#

Crystal is a second upscaler available in FilmSpark. It works differently from Topaz and is worth trying as an alternative when Topaz results don't match what you're looking for. A dedicated guide for Crystal will follow.

Tips#

• Upscale is the last step. Do all your editing, color work, and sequencing first. Upscale the final cut, not every intermediate version.
• Test on a single shot first. Run one shot through your chosen model before committing to a full project upscale. Every project's footage responds a little differently.
• Starlight hallucinates detail. That's a feature when you want a dramatic quality jump, but a bug if you need faithful reproduction. If the source is reference footage or has text/logos that must stay accurate, use Proteus or Starlight Precise.
• Match the model to the content. Using Gaia on live-action or Proteus on animation will give you worse results than picking the right specialist.
• Try both upscalers. If Topaz isn't giving you what you want on a particular shot, run it through Crystal and compare.

Sound & Voice

Dialogue, lip sync, voiceover, dubbing, voice change, sound effects and music.

Lip Sync Via Video Models#

There are multiple ways to create dialogue and lip sync with your characters in AI and with FilmSpark.

• Image + Prompt — Models like Seedance 2.5 and MiniMax H3 create dialogue and sound automatically when Generate Audio is on. The dialogue line is written into the Video Prompt. Best visual lip sync but voice may vary shot to shot. Use Voice Change to maintain consistency.
• Image + Audio File — Models like Kling AI Avatar and OmniHuman. Upload or create a voiceover clip for longer clips.

SFX/Voice Tab#

The SFX/Voice tab has five modes: LipSync, Voiceover, Dubbing, Voice Change and Sound FX.

Lip Sync (Video + Audio = Video):

• The shot needs a video first. Make sure the speaking Actor is set in Dialogue and has a voice assigned.
• LipSync model: Choose Sync Lipsync v2, v2 (Pro) or v3, HeyGen Lipsync Speed or Precision, or Pixverse.
• LipSync Mode (under Adv. Settings): Cut Off, Loop, Bounce, Silence or Remap.
• Voice Line: Drag and drop an .mp3 or .wav file, or click Generate Voice Line and choose 1, 2 or 4 takes. Advanced Voice Settings shows the voice model for the Actor's voice (such as ElevenLabs-v3) and its settings, such as Stability. A history of uploaded and generated voice lines is kept.
• Click Generate Lip Sync. The credit cost is shown on the button.

Creating Voiceover:

• Enter Assets and create a "Narrator" actor (add a voice, no image needed)
• In Storyboards, assign this actor for dialogue on any shot
• Generate image and video for the shot
• In SFX/Voice tab, click Voiceover, Generate Voice Line, then generate

Dubbing — Change spoken dialogue to another language.

Voice Change#

Replace an actor's voice with an Eleven Labs voice matching the original cadence and performance.

Sound FX#

• In the Storyboards - SFX/Voice tab: Generate sound effects for any shot that has a video.
• In the Video Editor: Generate both sound effects and music not tied to any one shot.

Models: Pixverse, Mirelo SFX v1.6. Options: Keep Original Video Audio, Sound Effect Prompt, Duration.

SFX and Music in the Editor#

• Generating Sound Effects (Eleven Labs): Description, Duration, Loop, Prompt Influence, Output Format, Quantity (1-4)

• Generating Music (Minimax Music, plus Lyria 3 and Lyria 3 Pro): Prompt, Lyrics, Tags, Prompt Strength, Balance, Output, Bit Rate, BPM, Seed, Quantity (1-4)

Once finished editing, click Export.

Actor Voices#

Each Actor can have a voice assigned in the Voice tab of the Assets section, including cloned voices and Eleven Labs voice IDs. See Assets.

Sequences

Build storyboard panels and multi-shot videos — several shots that play as one continuous sequence.

Overview#

A sequence is several shots that play together as one piece. Instead of generating each shot as a separate clip, you can plan the shots on a storyboard panel or generate them together as one multi-shot video, so cuts, timing and continuity carry across the whole sequence.

Individual Shots#

The most basic way to build a sequence is one shot at a time. Each shot gets its own image and its own video clip, and you line the clips up in the Editor. This gives you the most control over every frame. See Storyboard and Videos.

Storyboard Panels#

From finished shots. Ask the Agent to convert a scene into a storyboard panel and it does two things in one pass: assembles your approved shots into one annotated board — numbered panels, timing, stage directions — and writes the Seedance prompt that animates it, with your board, characters, and location attached as tagged references. Nothing on that sheet you haven't signed off on, and the video prompt is ready before you've scrolled down.

From nothing (anchor mode). If the scene has no shots yet, the same request boards the whole scene in one generation — missing references get created first (actor stills, location plate), then the board is anchored to the character sheet, the location board, and whatever anchor shot you do have. Panels born together are born consistent. It's faster and cheaper: you approve the sheet instead of every frame. Longer scenes split into multiple boards at beat boundaries.

Shots first for maximum control, board first for maximum speed — your call, scene by scene.

Board becomes motion#

One line turns the board into video: ask for a Seedance prompt built from the storyboard panel, approve it, and Generate glows. All needed shots run as one generation, continuity intact — the cuts land exactly where the board says they should. You get spillover effects and cross-cut continuity that separate clips can't give you.

Multi-Shot Videos#

Some video models, such as Seedance and Kling 3.0, can generate several shots — with hard cuts between them — in a single generation. Seedance 2.0 runs up to 15 seconds and Seedance 2.5 up to 30 seconds.

• Seedance — Write each cut and its timing directly in the Video Prompt. There is no separate setting to turn on.
• Kling 3.0 — In Advanced Video Settings, turn on Multi-shot to write a prompt and duration for each cut.
• From existing shots — Point the Agent at a range of shots and have it build a Seedance multi-shot from them. Tell it "take shots 1 through 5, use them as references, and make a Seedance 2.5 multi-shot with timing."

It writes the prompt, pulls in your shot images as the references, and uses @Image tagging to assemble them into a single multi-shot sequence with the timing you asked for — up to 15 seconds on Seedance 2.0 and 30 seconds on Seedance 2.5. You get one prompt that strings your existing shots together, ready to generate.

Continuity and wardrobe#

For video, the Agent carries information forward. It pulls the description and prompt from the previous shot into the next one and transfers specific details to hold continuity from shot to shot.

Wardrobe changes work the same way. Switch a character's outfit partway through the story to reflect a costume change. New outfits need new assets to pull from, and the Agent will flag that.

You can also point it at several shots and have it combine them into a single multi-shot video prompt.

The FilmSpark Agent

A director's assistant inside your project. It reads your whole film, plans the work, and asks before it touches a frame.

Meet the FilmSpark Agent#

The FilmSpark Agent is the most powerful tool in the console — a director's assistant that lives inside your project. It reads your entire film, plans multi-step work like a crew, and asks permission before it touches a frame. It runs on FilmSpark Credits and on Skills — playbooks that teach it professional craft, which you can extend with your own. You stay in the chair. It does the clicking.

Tell it "change the actor's jacket to red," "storyboard the whole scene," or "swap the lead across the whole project," and it figures out the steps, picks the right model, and shows you the plan before anything touches your storyboard.

Open the Agent from the Agent tab on the far right side of any project. The Agent panel opens beside your work.

Availability: The Agent is available to everyone — no API key or special plan required. Agent requests are charged in FilmSpark Credits, and credit estimates are shown before any new image or video generation.

Credits, models and API keys#

Credits by default. Open the Agent on the far right side of any project and start typing. Agent requests are billed in FilmSpark Credits, and you can see the total credits used in the current session by rolling over the counter at the bottom of the Agent panel.

Pick the model that runs it. Click the model name at the bottom of the Agent panel to choose which LLM drives the current thread and how much reasoning it uses (None, Low, Medium, High or Extra high). The list grows regularly and currently includes OpenAI models (such as GPT-6 Astra, GPT-6 Sol and GPT-6 Luna), Anthropic models (such as Claude Opus 5.5 and Claude Sonnet 5) and Gemini models.

Agent Settings. Click the gear icon at the top of the Agent panel to set your Default model (used when you start a new thread in any project), manage Agent API keys, and choose which Project skills the Agent can use.

Your own API keys (optional). Prefer to use your own provider account? Add one or more API keys — OpenAI, Gemini or Anthropic — in the API keys section of Agent Settings, and Agent requests are charged to your own account instead of FilmSpark Credits. In a Team Workspace, keys are managed in Workspace Settings.

Your Skills#

Skills are the playbooks that teach the Agent FilmSpark's craft — the rules a working crew would know: how a scene breaks into beats, which references a model needs attached, how to keep a face and a voice consistent across a hundred shots.

The default pack comes preloaded. Open the Skills panel and every FilmSpark skill is already installed and ready — no setup.

Add your own. Built a technique your team relies on? Upload your own custom skill file (.skill or .md) and it runs exactly like ours. This is where the Agent becomes yours.

Call one directly. Type / in the Agent text field to bring up the list of Skills and pick one.

Most of the time you don't need to. The words in your request do the routing. Name a model ("in Seedance," "for Kling O3") and you get that engine's exact grammar. Name a format ("storyboard panel," "location board") and you get that deliverable. Say neither, and you get FilmSpark's portable house format that works on any model. The Agent names the Skill it's using as it works, so you always know where a result came from.

The default Skills pack#

Every skill in the default pack as of September 2026, grouped by what it's for.

For phrasings that route cleanly every time — "Break down this scene into shots," "Make a Seedance ref prompt out of this shot," "Change X, keep everything else" — see the FilmSpark Skills User Guide.

Say it plainly#

No special syntax. Describe the outcome and the Agent works out the steps.

It knows your whole project#

The Agent reads your script, scenes, shot list, characters, and the current state of your storyboard. You don't re-explain what you're working on or paste context into every request.

That awareness runs deep. It can summarize the project, list every scene with descriptions and shot counts, pull script snippets for continuity, and break any shot down to its camera settings, lighting, and reference images. It tracks your actors, locations, and props, including their visual descriptions and key features.

It also reads what you currently have selected in the interface, so a request like "fix the lighting on this one" lands on the right shot.

Suggest, then approve#

Nothing gets written to your project automatically. Every change arrives as a proposal card you review and approve. The Generate button glows when something's ready for you.

If a request involves several moves, the Agent shows the full execution plan in a side panel before it runs — every step, the assets it will add, and the credit cost, all before anything touches your project. No black box.

When one step in a multi-step plan misses, you retry just that step instead of starting the whole thing over. And multiple chats can run at once, each working its own job.

Start with your cast and your world#

Character sheets and location boards are the identity references for the whole project — every shot and storyboard afterward inherits them.

Character sheets. One line — "Make a character sheet for April" — and the Agent builds an actor continuity sheet: full turnarounds, headshots, expressions, and wardrobe callouts, with multiple actors side by side on one sheet. Your actors hold across every shot that follows.

Location boards. Same trick for your world. The Agent maps the location — hero view, top-down geography with labeled callouts, a camera-angle strip, and blocking notes — so screen direction and reverse shots stay honest in every scene you shoot there.

Edit shots in place#

You can edit a finished shot by describing the change, and the Agent edits the existing image rather than regenerating from scratch. "Remove the boots, fill with mud." "Add a hat to this character." It picks the right model, runs the edit, and drops the result back into the shot.

The same works at scale. Tell it to "remove all the actors in this scene," or across the entire story, and it edits the shots instead of rebuilding them.

Edits use change-plus-preserve grammar: what changes, and an explicit inventory of what's locked. "Change only the lighting to dusk, keep everything else." The preserve list is what stops drift.

Generation that resolves its own dependencies#

The Agent works out the right order on its own.

Say "change the actor's jacket to red." It edits the character first, then regenerates or edits the shots that use them, so everything stays consistent. Need a shot that calls for a character who doesn't exist yet? It generates the missing reference image first, then builds the shot from it.

It also chains multi-step jobs from a single prompt: generate a missing asset, wait for the result, then composite it into a new shot.

Project-wide changes#

Big structural edits run from one instruction. Swap one actor for another across the whole film, and the Agent updates every place that character appears — shot images and shot descriptions both, in the right order, as one approval. It can add or remove single or multiple shots and assets at once, with full awareness of where they sit in the story.

Batch operations bundle a mix of these into one ordered proposal. Create a scene, add shots to it, attach assets, regenerate the prompts, and queue the images — all in a single approval card.

Sharper prompts and descriptions#

The Agent helps tighten your image and video prompts when the output isn't quite landing. It can regenerate a shot's structured details, rebuild the image and video prompts from the current shot state, or refresh an asset's fields — either fully or filling only what's missing. It respects your auto-update settings, so manual prompts you've customized stay put unless you ask.

Compare models side by side#

Run the same shot across 2 to 12 image models at once and compare the results side by side. The same comparison works for assets. Default to the Agent's model choice, or call it: "Use Nano Banana Pro at 4K." You decide. (See also Compare Mode.)

Threads: run Agent chats in parallel#

The Agent doesn't make you wait in line. Open multiple Agent threads and each works its own job: a project-wide recast in one thread — "replace Hank with Ellen in every shot, descriptions included," executed in the right order as one approval — while a second thread boards the next scene and you're already typing a third ask.

Pin a thread to keep it at the top of the list so it's easy to find again.

You can also attach one or more reference images to any Agent prompt to make your intent unmistakable.

Memory and sessions#

Agent threads are saved, so closing the panel or leaving the project doesn't lose your conversation. The Agent tracks whether it was open or closed per project and reopens the way you left it.

A context indicator shows how much of the Agent's working memory a thread is using. When a long thread fills up, the Agent compacts the earlier conversation automatically so you can keep going. When you want a clean slate, start a new thread or delete one — with a confirmation so you don't lose it by accident.

Storyboards and multi-shots#

The Agent can board a whole scene, turn a storyboard panel into video, and build multi-shot videos from your existing shots. See Sequences.

Getting the best out of it#

• Set up your cast and locations first. Character sheets and location boards are the single best consistency investment in a project — every shot and storyboard afterward inherits them. Identity lives in references, not prose; shots only describe what's new.
• Name the destination up front. "Break down the scene into a storyboard" routes correctly in one step; deciding later can send work down the wrong path.
• Name the model when it matters. "Create a Seedance 2 prompt and assign the reference images." Say nothing and you get FilmSpark's portable format that works on any model.
• Give references jobs. Drag images straight into the chat — "this one is the outfit, this one is the location." Untagged refs are dead weight; references with jobs do far more work than adjectives.
• Multi-cut is fine. One generation can hold several cuts, up to the model's length limit. Over the limit, the Agent splits the sequence into more generations of the same model at a natural cut.
• Your assets are safe. Re-running a sheet or board creates a new version — approved originals are never overwritten unless you ask.
• You pick the image quality. For GPT Image models the Agent asks for High, Medium, or Low, so you decide where the credits go.

Know the limits: video length depends on the model — most run up to 10–15 seconds, while Seedance 2.5 and Wan 3.0 generate up to 30 seconds in one pass. Longer scenes are split into segments and stitched in the Editor. Reference limits vary too: Seedance 2.0 Reference takes up to 12 references, Seedance 2.5 Reference up to 50 (up to 30 of them images), Kling O3 up to 7, and storyboard panels hold up to 9 shots. The Agent handles the math; you approve the plan.

What it generates#

Putting it together, the Agent can:

• Edit any shot field: shot type, camera angle, camera format, focal length, aperture, framing, camera movement, lighting, color palette, action and performance, atmosphere, staging, dialogue, attached assets, duration, and per-shot model overrides.
• Create and delete shots, and create, edit, or delete scenes.
• Create, edit, or delete actors, locations, props, and other assets, down to their visual details and image prompts.
• Generate shot images, shot videos, both together, and asset images, with optional one-time model overrides.
• Build character sheets, actor close-ups, location boards, location coverage, scene moodboards, staging shots, storyboard panels, and multi-shot video prompts.
• Generate voice lines for shots and attach them as audio references.
• Update the project title and logline.

Everything above is a proposal. You approve it, and only then does it touch your project.

Scene Composer

Build scenes and explore locations from multiple angles without writing a script.

Overview#

Scene Composer lets you generate scenes without using a script. Users create images and then videos and compose a scene using the same familiar tools such as Assets and Storyboard, Editor and Export. Scene Composer has "Scene Coverage" checkboxes which allow you to explore a scene/location from many different angles and shot types.

Step 1 - Creating a Scene#

To get started, click on the Scene Composer button on the Explore page or on the Scene Composer link on the left side of the screen. Then set up your scene:

• Scene Name - Give your scene a name.
• Aspect Ratio - Choose the frame shape for the scene.
• Style - Pick one of the pre-made styles, or choose Custom Style. Click View all to see every style.
• Color Grade - Optionally pick a LUT and turn on Apply color grade. See Color Grading & LUTs.
• Default Models - Choose the Asset Image Model, Storyboard Image Model, Video Model and LipSync Model for this scene.

When you're ready, click Create Scene.

Step 2 - Scene Description and Coverage#

Once you are in the scene, the Scene Description and Scene Coverage panel is on the left and the Storyboard is on the right. The Storyboard, Assets, Editor and Export tabs are at the top.

1. Describe the scene you want to create by entering text into the Scene Description field or add reference images by clicking on the Plus button.
2. Click "Smart Fill" and the AI will fill in the fields below based on your description or image. You can override or set these manually as well.
3. Select the Location, Mood (eg. Dramatic, Comedic), Lighting and Time of Day.
4. Click Choose Assets under Actors in Shot to select any Actors you wish to add to the scene. You can also create new Actors in the Assets tab.
5. Under Scene Coverage, select the type of shot you want to generate. There are multiple types to choose from including Establishing Shot, Wide Angle, Profile and many more, or click Select all. You can also enter a Custom Shot Description to describe the image you want to generate for more control.
6. Select the image model you want to use and the number of images you want to generate. When you are ready, click on the green Generate button to generate images for the scene.
7. If needed, you can add new scenes by clicking the + (Add Scene) button under the scene list. New images will always appear in the latest scene.

Step 3 - Working in the Storyboard#

Once you have your first shots, you can hide the left panel and work in the Storyboard on its own, just like the Storyboard in a Scripted Project.

• Full width - Click the Full width icon at the top right of the Storyboard to collapse the Scene Description and Coverage panel. The Storyboard fills the screen. Click the same icon (Split view) to bring the panel back.
• Build shots - Click any shot to open it in the Shot UI, where you can edit the prompt, generate images and video, and add sound. See Storyboard.
• Shot actions - Hover over a shot for quick buttons to Duplicate it, Continue shot, Generate image or Generate shot video.
• Sequences - Open the Agent on the right to build storyboard panels and multi-shot videos from your shots. See Sequences.
• Import Shots - Bring shots in from another project.

Ad Templates

Drop a product image into a pre-made narrative and get a video ad in three steps.

Overview#

Ad Templates let you create video ads quickly by adding an image of the product you want to showcase into pre-made narrative structures. To begin, click on the Ad Templates link on the left side menu of the Explore page, or scroll down the Explore page to the Ad Templates section and choose the Ad Template you wish to use.

Once you have chosen an Ad Template, you're only three short steps away from having a video ad for your product!

Step 1 - Upload Your Product Image#

Upload a photo of the product you wish to showcase.

Step 2 - Choose an Aspect Ratio#

Choose an Aspect Ratio for the ad you wish to create. By default, the Aspect Ratio is 16:9.

Step 3 - Generate Your Ad Video#

When you're ready, click Generate to create a video ad for your product!

Additional Options#

• Customize the prompts, switch models, and more to get the best results.
• You can also edit your ad's shots in the Storyboard and use the Video Editor to finalize your work.

Asset Studio

Generate standalone images and videos with any model, then bring them into your projects.

Overview#

Asset Studio lets you generate and edit images that can be later imported into projects or scenes. To get started, click on the Asset Studio button on the Explore page or on the Asset Studio link on the left side of the screen.

• Choose an Image Model - Select the image model you want to use to generate an image. There are many different options available, so we recommend trying different ones to find the style best suited for your project.
• Image Prompt - Type a description of the image you want to create in the Prompt Field.
• Aspect Ratio - You can select the aspect ratio for the image.
• Negative Prompt - Type what you don't want to appear in the image.
• Number of Images - Select the number of images you want to generate.
• Generate - When you are ready to generate an image, click on the green Generate button. This button will also show the credit cost.

Generating Videos#

You can now generate videos directly in the Asset Studio, in addition to images. Choose a video model, set your options, and click Generate — the green Generate button shows the credit cost.

My Library

Your central store of images, videos, audio and saved prompts across every project.

Overview#

My Library is your central store of images, videos, and audio across all projects. Recent updates made it much faster to find, upload, and reuse assets.

Finding and filtering#

• Filter images and videos by project to quickly locate an asset.
• Redesigned Projects tab for cleaner navigation across your work.

Uploading and reusing#

• Upload multiple images at once.
• Select multiple images to use as references together.
• Load from Library is standardized across Shots — add assets the same way everywhere.
• Drag and drop onto the + symbols to load images directly.
• Save to Library from the Image History and Video History windows to keep a generation for reuse.
• Delete from Library — remove images and media you no longer need directly from the library. If an item is used in a project, deleting it from the library does not remove it from the project.

Prompt Library#

The Prompt Library lets you save your favorite prompts for easy re-use and share them with teammates — so a prompt that worked well becomes reusable across shots and projects.

Saving and reusing prompts#

• Save an image or video prompt to the library from the prompt field.
• Reuse a saved prompt on any shot or asset.
• Share saved prompts with teammates in your workspace.

What you can store#

The library covers prompts for Shots as well as Locations, Props, and Miscellaneous assets, so structural and asset prompts can both be saved and reused.

Color Grading & LUTs

Apply a consistent film look across your project with built-in or custom LUTs over the Cineon Log style.

Overview#

FilmSpark supports color grading with LUTs so you can apply a consistent film look across your project. This works in conjunction with the Cineon Log art style.

Using LUTs#

• Use one of FilmSpark's built-in LUTs, or upload your own .cube or .bin file.
• LUTs pair with the Cineon Log art style for a gradable, flat starting point.
• Adjust LUT intensity up to 200% for a stronger or subtler look, with improved live previews.

Related styles#

• Cineon Log art style — a flat, 8 bit log-style base intended for color grading with a LUT in FilmSpark or your editor of choice.
• Sunset lighting style — a lighting option in Image Shot Details with improved scene-lighting consistency.

Team Workspaces

Pooled credits, shared billing, role-based access and real-time collaboration for production teams.

Overview#

Team Workspaces let multiple people collaborate inside a single FilmSpark account with pooled credits, shared billing, and role-based access. Designed for production teams, agencies, and studios running multiple projects at once.

Team Workspaces are available as a team subscription or as part of an Enterprise plan. Today we set these up for clients directly — contact sales@filmspark.ai to get started.

Roles#

Every workspace member is assigned one of four roles:

• Owner — Full control. Manages billing, seats, members, and workspace settings. Every workspace has exactly one Owner.
• Admin — Can add and remove members, change roles, and view credit usage across the workspace.
• Member — Can create and work on projects, generate images and video, and use all FilmSpark features within the workspace's credit pool.
• Viewer — Read-only access. Can view projects, open shots in the Storyboard, and leave Shot Notes, but not generate or edit.

Inviting Members#

Owners and Admins invite members by email.

• If the invited user already has a FilmSpark account, they're added to the workspace immediately and can switch into it from their account menu.
• If they don't have an account, they'll be prompted to create one first, then automatically joined to the workspace.

Working Together in Real Time#

Team Workspaces support real-time collaboration — multiple people can open the same project at the same time and work together.

Teammate Status#

When other team members are in the project, their names appear at the top center of the screen so everyone can see who's active.

This makes it easy to coordinate — no more guessing whether a teammate is still working on a shot or has moved on.

Shot Notes#

Every shot has Shot Notes, shared across the entire team and found in the left side menu of the Shot UI, next to the Prompt tab. Each note shows who wrote it and when, and teammates can edit and reply to notes. Use them to leave direction, feedback, or context that other collaborators will see when they open the shot.

Good uses for Shot Notes:

• "Don't regenerate — the client approved this one."
• "Needs a wider angle — try lens 35mm next pass."
• "I'm working on this shot right now."
• Direction or feedback from a director, producer, or reviewer.

Shot Notes are the most reliable way to communicate inside a project, since they live with the shot itself and don't disappear.

What to Watch Out For#

Real-time collaboration is powerful, but a few actions can cause conflicts if two people do them at the same time:

• Don't generate the full Shot List or Storyboard while others are working in the project. These actions regenerate large portions of the project and can overwrite work your teammates are doing. Coordinate before running them — ideally, do bulk generation when you're the only one in the project.
• Don't generate the same shot at the same time. If two people hit Generate on the same shot, the first person's generation wins, then the second one runs after — it gets confusing fast and wastes credits. The status indicator will tell you if someone else is in the same shot. Check for this before you generate.

• Communicate before bulk operations. Anything that affects multiple shots at once — bulk regeneration, script reimports, shot list updates — should be coordinated with the rest of the team first.

Best Practices#

• Divide shots before starting. Assign specific shots or scenes to each team member so no one steps on each other's work.
• Check who's in the project. Before you generate or edit, glance at the presence indicator at the top of the screen.
• Use Shot Notes for direction. They stay with the shot and everyone sees them.
• Talk in your team's channel. FilmSpark tells you who's there, but Discord or Slack is still the fastest way to coordinate who's doing what.

Seats#

Team Workspaces start at a minimum of 10 seats and can be expanded to 20 seats or more depending on your Enterprise contract.

• Seat count is controlled by the Owner. Contact your FilmSpark account rep to add more seats.
• Adding and removing members is handled in-app by the Owner or Admins. As long as you stay within your seat count, no billing change is needed.

Credits#

Credits in a Team Workspace are pooled across all members — everyone on the team draws from the same bucket.

• Owners and Admins can see how credits are being used across the workspace.

• Members see the shared credit balance but don't manage allocation.

Coming soon: Per-member credit allocations so Admins can cap individual usage.

What's Shared vs. Personal#

In the current release, the Asset Studio and its content are personal to each member — not shared across the workspace. Each member has their own working space inside the workspace.

The workspace provides the shared container — pooled credits, unified billing, member management, and role-based access — while individual creative work stays with the person who made it.

Broader sharing of projects and assets across workspace members is on the roadmap.

Permissions#

Current permissions in Team Workspaces:

• Owners and Admins manage members, seats, and role assignments
• Owners and Admins view credit usage
• Owners and Admins control which AI models and defaults are available to workspace members, and can opt the workspace into new models automatically
• Only the Owner manages billing

Billing#

Team Workspaces are billed to the Owner, either as a team subscription or under an Enterprise contract with invoicing. With a team subscription, every member of the workspace gets the subscription's features and shares its credit allowance. Individual members don't need their own FilmSpark subscription — their access is covered by the workspace.

Getting Started#

To set up a Team Workspace for your company or production, contact sales@filmspark.ai.

Available as either:

• Trial access — evaluate Team Workspaces with your team before committing
• Team subscription — pooled credits and subscription features for everyone in the workspace
• Enterprise plan — full contract with invoice billing, dedicated support, and enterprise features

Coming Soon#

Admin controls to restrict which AI models specific members can use.

Note: currently, export and project deletion are not restricted by role — any Member can export or delete projects they've created.

Single Sign-On (SSO / SAML)#

Enterprise workspaces support SAML-based Single Sign-On so your team can log in using your company's identity provider. No separate FilmSpark password to manage.

Direct integrations:

• Microsoft Azure AD (Entra ID)
• Google Workspace
• Okta Workforce

Any SAML 2.0–compliant identity provider can also be configured as a custom connection.

Why SSO matters:

• One login for everyone. Team members sign in with their existing company credentials.
• Centralized control. When someone leaves your company, revoking their IdP access automatically cuts off FilmSpark access.
• Enterprise-grade security. SSO is required by most studio and agency security reviews and is standard across our Enterprise contracts.

Credits & Subscriptions

Credit packs, subscription plans, and how to manage or cancel your subscription.

How to Buy Credits#

If you wish to purchase additional Credits, click the "Credits" button in the upper right corner of the screen.

The Credit Packs available for purchase are:

• Creator Top-Up Credits Pack ($10): 750 Credits
• Filmmaker Credits Pack ($25): 2,000 Credits
• Studio Credits Pack ($50): 4,500 Credits
• Producer Credits Pack ($109): 10,000 Credits
• Blockbuster Credits Pack ($315): 30,000 Credits

If you belong to a Team Workspace, choose whether the credits are for the workspace or for your personal account at the top of the page.

How to Purchase a Subscription#

If you wish to purchase a Subscription Plan, click the "Plans" (or "Upgrade") button in the upper right corner of the screen.

Subscription Plans – Available in Monthly or Annual billing:

• Standard Plan – 1,000 credits/month. $15 billed monthly, or $12/month when billed annually ($144/year)
• Pro Plan – 3,500 credits/month. $50 billed monthly, or $40/month when billed annually ($480/year)
• Ultimate Plan – 10,000 credits/month. $125 billed monthly, or $100/month when billed annually ($1,200/year)
• Enterprise Plan – Tailor a plan to your organization's needs. Contact sales@filmspark.ai.

How to Cancel a Subscription#

To cancel an active subscription, click on the Account button in the top right corner of the app. Click on Profile to see your subscription details. From this screen, click Manage Billing & Payments to cancel. The canceled subscription will last until the end of the billing period.

Tips

Practical reminders for better results, fewer wasted credits and stronger prompts.

Helpful Tips & Reminders#

• Iterative Process: You can always go back to previous steps (Script, Logline, Scenes, Assets, Shot List, Storyboard) to make changes and regenerate elements. Your project saves automatically. Keep in mind that if you make changes, you may need to regenerate subsequent steps.
• Regeneration: Not happy with an AI-generated image or video clip? Try generating it again. The AI will try a slightly different approach each time. If you're not getting what you want, try editing the Prompt directly.
• Compare Models: Not sure which model to use? Generate the same shot or asset across multiple models at once and compare them side by side. See the Compare Mode guide.
• Use the Agent: Ask the in-project AI Agent to make changes in plain language — it proposes the work for you to approve, and requests are charged in FilmSpark Credits. See The FilmSpark Agent guide.
• Credits: Keep an eye on your credit balance. Most AI generation actions consume credits. The cost will usually be displayed near the generation button.
• Generation Fails or Odd Results: If a generation fails or looks odd, try generating again. You can also add more details to the description for more precise results.
• Want to Change the Art Style? You can do this in the Settings Menu. Click the cog-shaped button in the upper right corner. If Auto Prompt is off for a Shot or Asset, you'll need to click Regenerate Prompt first.
• AI doesn't always know Left from Right. Sometimes prompts will place things on the opposite side. Try using the opposite direction in your prompt.
• Be specific: Clearly distinguish between primary and secondary subjects.
• Use descriptive language: Words like "dramatic," "tense," and "chaotic" set the mood effectively.
• Prioritize key elements: Mention the most important aspects early in the prompt.
• Avoid ambiguity: Use precise language to reduce interpretation errors.

Compositional Placement Tips#

Use compositional cues to place objects in specific screen locations:

• "The object remains in the bottom-left third of the image, close to the edge."
• "Keep the object anchored in the same screen position as before."
• "Centered in foreground"
• "In the distance, near the horizon"
• "Facing left, looking at camera"

Be Specific, But Not Overloaded: Too little info = vague output. Too much conflicting detail = confusion.

FAQ

Quick answers to the questions we hear most.

Frequently Asked Questions#

How do Credits work?#

FilmSpark.AI uses a credit system for AI generation tasks. Creating text, images, or video clips will consume credits. Your available credit balance is always visible, and the cost for an action is shown before you confirm it. Editing in the timeline editor typically does not consume additional credits unless you regenerate an asset.

Do Credits ever expire?#

Unused monthly credits received with a subscription plan do not carry over month to month. Credits purchased in Credit Packs never expire.

What image and video models does FilmSpark.AI use?#

Please refer to our Model Guide to see all of the image and video models available. There are many to choose from!

What is the FilmSpark Agent?#

The FilmSpark Agent is an in-project AI assistant available to everyone. It reads your whole project and can build or edit shots, assets and scenes from plain-language instructions, proposing each change for you to approve. Agent requests are charged in FilmSpark Credits; you can optionally add your own API keys instead. See the FilmSpark Agent guide for details.

How do I generate videos?#

In a Scripted Project and in Scene Composer, videos can be generated in the Storyboard. You will first need to generate or upload an image for a Storyboard Shot. Then open the shot and click the Video tab above it, to the right of the Image tab. See Videos.

How do I switch the visual style of my Story?#

This can be done in the Settings menu. Click the cog-shaped button near the top right corner of the screen.

How do I change the name or description of an actor?#

Go to the Assets section and click on the actor you wish to edit. Update their name, appearance and features in the Description. Remember to regenerate the Prompt (if auto prompt is off) and then generate a new image.

Can I make an actor look like me or someone I know?#

Yes! In the Assets section, click on the actor and choose Create from Photo. Upload a reference photo. You can keep the outfit from the photo if you like. Edit the Description to match for best results.

Can I download my individual assets?#

Yes! Click the Export button (to the right of the Editor button) in a Scripted Project or Scene Composer. You'll find options to export and download your assets, including an XML file.

How do I know what was updated in FilmSpark.AI?#

Click on the Build Notes link in the Left Side Menu anytime you are in the app.

Is there a demo available?#

You can book a demo by clicking on the Book a Demo link in the Left Side Menu.

I don't see the answer to my question. What should I do?#

Check out our Tutorial Guide and Tutorial Videos. You can also ask our Chatbot by clicking the icon near the bottom right corner of the screen. If all else fails, email us at support@filmspark.ai.